At a secret Russian nuclear missile base, an ex-U.S. SEAL member(Damian Chapa) is planning to launch a missile strike on the United States, and the only way to stop him is with the best of the best. Because of a natural gas refinery leak, the newly formed team must infiltrate without conventional weapons and use a mixture of martial arts skills, swords, crossbows and unconventional arms in their top secret attack.
The Marks family is a tightly-knit quartet of women. Jane is the affluent matriarch whose 3 daughters seem to have nothing in common except for a peculiar sort of idealism. Setting the tone of vanity and insecurity, Jane is undergoing cosmetic surgery to alter her figure, but serious complications put her health in real danger. Former homecoming queen Michelle, the eldest daughter, has one daughter of her own and an alienated, unsupportive husband. Elizabeth, the middle sister, has an acting career that is beginning to take off, but is timid and insecure, and habitually relieves her trepidation by taking in stray dogs. Only the youngest sister, Annie, an adopted African American 8-year-old, stands a chance of avoiding the family legacy of anxious self-absorption. If only her intelligence and curiosity will see her through what promises to be a confusing adolescence. Each of the women seeks redemption in her own haphazard way.
Amy is Jewish, nearing 30, single, and the successful author of “Why Love Doesn’t Work,” a self-help book for women who aren’t in love. She’s also a self-described sexorexic - she hasn’t had sex with a man in four years and has never had a “mental orgasm.” She gets plenty of advice - from her publicist, from her best friends (a married couple), from her parents, and from a priest to whom she goes to confession - so there’s lots of conflicting emotion and analysis when she starts dating Matthew Starr, a good-looking playboy who’s a popular L.A. male-chauvinist-pig radio shock jock. Each of Amy’s theories and rules is put to the test - people may not change, but can love work?
From the producers of the comedy smash Deuce Bigalow comes The Animal, about a small, wimpy Marvin, who doesn’t have what it takes to fulfill his lifelong dream to be a cop. But his luck changes when he’s critically injured in a car accident and a deranged scientist secretly uses animal organs to rebuild him. Energized by his new parts, Marvin leaves his weakness behind and achieves instant fame as a supercop. Now a hero, life is going great for Marvin until his animal instincts start taking over his body at all the wrong times. Marvin struggles to remain civilized and be a perfect gentleman with his new love, Rianna in a series of hilarious situations that would drive any animal crazy.
Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family.
On November 4, 1970 on The CBS Evening News, Walter Cronkite reported on a true, horrific story that was about to rock the country. A 13-year-old girl was discovered in the small Los Angeles suburb of Arcadia who was still in diapers, barely able to walk and unable to speak. Kept in severe isolation by her parents with virtually no human contact for more than 10 years, she was confined to her bedroom, tied to her potty-chair and left to fend for herself. As Cronkite noted, it was one of the most horrendous cases of child abuse ever to surface. Much like an animal, the girl spat, sniffed and clawed. She had none of the traits or characteristics of conventional human behavior, nor could she comprehend such modern societal conveniences as silverware or bathroom etiquette. Her emotional development was practically non-existent, and she could not speak. With this heartbreaking story, the world was being introduced to a fragile, beautiful teenager who seemed and behaved like an infant, or Wild Child.
Jay, a failed musician, walked out of his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon a woman comes to his house for graphic, almost wordless, sex. One day Jay follows her and finds out about the rest of her life (and that her name is Claire). This eventually disrupts their relationship.
In the mid-70s, surfers from Venice-Santa Monica who hung out at the Zephyr Surf Shop would skateboard when the surf was quiet. Over the course of a few heady years, riding on polyurethane wheels and copying the surfing moves of Larry Bertleman, the Z-Boys invent and polish their style on a hilly street near the shop, on the asphalt slopes ringing school playgrounds, and then in swimming pools empty during California’s drought. The Z-Boys astound upright skateboarders at the 1975 championship in Del Mar. Within a year, the team splinters as some players join better financed pro teams. The film ends with profiles of the stars, Jay Adams, Stacy Peralta, and Tony Alva.
1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It’s a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg’s uncertainty principle. Ed Crane cuts hair in his in-law’s shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen.
Gwen and Eddie were at one time Hollywood’s premier couple on and off the screen. But during the filming of their latest movie, Gwen took up with a Latin guy she met on the set. She and Eddie have since split up. Now their movie is ready to be shown but the director will only first show it at the press junket. But the studio boss, concerned of what the movie will be, instructs Lee his P.R. man to handle to junket and to try and distract the press from asking about the movie by making them think that Gwen and Eddie are back together. Only problem is that he just fired Lee, but after giving in to Lee’s demands he agrees. Lee enlists the aid of Gwen’s assistant, Kiki, who is her sister to help. When they get to the junket, things are still tense between them. And Kiki is trying hard to keep in check her feelings for Eddie.