Angela Bennett’s a software engineer type who works from home and has few friends outside of cyberspace. Taking her first vacation in years she becomes embroiled in a web (sic) of computer espionage.
John “Scottie” Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.
The true story of Frank Morris, a convict who was sent to Alcatraz, the most feared prison in the world. Although nobody had ever escaped from Alcatraz, Frank did it.
A strange cloud descends upon Klingon vessels and eradicates them with an energy bolt. The Epsilon IX space station alerts the Federation, but they too are wiped out by the entity. The starship assigned to the case is, what else, the NCC-1701. That would be the registration number for the U.S.S. Enterprise, which has been rebuilt. Thus, the entire original crew you knew from the TV show returns. Although they are prepared to face the entity, nothing will prepare them for the ride to come. The film asks the question Paul Gauguin asks in a painting bearing this name: “Where do [I] come from? What [am I]? Where [am I] going?” Trekkers, note the appearance of Will Decker, the son of Matt Decker, who killed himself in the TV episode, “The Doomsday Machine”. The film can be summed up in a single word: beautiful.
Admiral Kirk and his crew vow to return to Earth after rescuing Captain Spock to face criminal charges after his unauthorized mission and theft of the U.S.S. Enterprise. After rescuing two humpback whales, Kirk is found guilty of disobeying a Starfleet superior officer and is demoted to Captain and given command of the U.S.S. Enterprise-A.
Johnny Ross works for Chicago mobster Peter Ross, his brother. In April 1968 Johnny Ross escapes two attempts on his life and flees to San Francisco, where he is placed in protective custody by politician Walter Chalmers, who hopes to use Ross to further his own national aspirations. To protect Ross, Chalmers asks the SFPD to assign Detective Lieutenant Frank Bullitt and his partners, Sergeants Don Delgetti and Carl Stanton, to guard him at a flophouse near an overhead freeway. It looks like a simple assignment, but at 1 AM the next day it all goes awry in a blast of a shotgun, leaving Stanton and Ross fighting for life at San Francisco General. Bullitt gets what information he can, but breathing down his neck is the angered Chalmers who vows to ruin Bullitt’s career should Ross die. Bullitt gets a break when the gunman appears at the hospital to finish off Ross, and Bullitt gets a good look at him; now Bullitt must smoke out the gunman and his backup man before Chalmers carries out his threat, leading to a high-speed pursuit, a fiery crash at a gas station, and a fingerprint check that leads to a stunning discovery about Ross, and about a couple staying at a swanky hotel in San Mateo.
Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .
“The Naughty Stewardesses” follows four fetching flight attendants as they deal with randy passengers, dirty old men, “fashion” photographers, and other hazards in the sky and on the ground. Donna Desmond and Tracy King star with Carrol and Livingston.
Something disturbing is going on in San Francisco each and every night. Certain locals who are out at night, are being set upon and slain, by someone or something, to be found in the morning mutilated or parts missing. Ocassionally they are never found at all ditto the parts that go missing. Tonight one teen is going to witness a massacre at the hands of this lethal mystery. And might be able to shed some light over it to the cops. That is if she survives the night.
Baby George got into a plane crash in a jungle, stayed alive and was adopted by a wise ape. Ursula Stanhope, US noble woman is saved from death on safari by grown-up George, and he takes her to jungle to live with him. He slowly learns a rules of human relationships, while Ursula’s lover Lyle is looking for her and the one who took her. After they are found, Ursula takes George to the USA.